A. E. W. Mason

A. E. W. Mason

Summary

Portrait of A. E. W. Mason A. E. W. Mason The Summons — X: The Summons (1920)

Fields and great trees, and here and there the white smoke of a passing train and beyond the Blackdown and the misty slopes of Leith Hill—Hillyard was never to forget it, neither that scene nor the eager face and shining eyes of Joan Whitworth against the blue and gold of the summer afternoon.
"You will remember that you have friends here, who will be glad to hear news of you," she said, and she threw in the clutch and started the car down the hill.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — X: The Summons (1920)

Hillyard agreed.
"She is searching for the meaning, for the secrets of life, sure that there is a meaning, sure that there are secrets, if only she could get hold of them. But she hasn't got hold of them. She runs here. She runs there. She explores, she experiments. That's why she's dressed like a tramp and thinking out a book where the heroine gets married to the Funeral March of a Marionette. Oh, my dear person, it just means, as it always means with us poor creatures, that the right man hasn't come along."
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — X: The Summons (1920)

Joan said very little, and Hillyard was content to watch her as she drove, the curls blowing about her ears and her hands steady and sure upon the wheel as she swung the car round the corners and folds of the hills. Once she asked of him:
"Are you glad to go?"
He made no pretence of misunderstanding her.
"Very," he answered. "If the great trial is coming, I want to fall back into the rank and file. Pushing and splashing is for peace times."
Source: Wikisource

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