Abu Hamid al-Ghazālī

Abu Hamid al-Ghazālī

Summary

Portrait of Abu Hamid al-Ghazālī Abu Hamid al-Ghazālī The Allegory of the Pen (1921)

For he who crosses the phenomenal world, knocks at the door of the celestial world, then sights the pen which writes on hearts”. The devotee did as he was advised, but failed to see that pen, because his notion of pen was no other but of a pen of reed or wood. Then knowledge drew his attention, saying: “There’s the rub. Do you not know that the furniture of a palace indicates the status of its lord? Nothing in the universe resembles God, therefore his attributes are also transcendental. He is neither body nor is in space. His hand is not a bundle of flesh, bone, and blood.
Source: Wikisource

Portrait of Abu Hamid al-Ghazālī Abu Hamid al-Ghazālī The Allegory of the Pen (1921)

On my oath, as long as the king hesitates or ponders over the matter I stand quiet, ready to serve, but the moment his order is passed my sense of obedience which is innate forces me to stir up vitality. So, you should not blame me. Go to knowledge and get information there”. “You are right,” consented the devotee, and proceeding, asked mind and its ambassador, knowledge and reason, for an explanation. Reason excused himself by saying he was a lamp only, but knew not who had lighted it. Mind pleaded his innocence by calling himself a mere tabula rasa.
Source: Wikisource

Portrait of Abu Hamid al-Ghazālī Abu Hamid al-Ghazālī The Allegory of the Pen (1921)

Can a body move of itself? I am a vehicle used by one called vitality. He rides on me and forces me round and round. You see, a dead man has hands but cannot use them because vitality has left them. Why should I, a mere vehicle, be blamed? Go to vitality and ask him why he makes use of me.” “You are right”, said the devotee, and then questioned vitality. “Do not find fault with me”, answered vitality, Many a time a censurer himself is reproved, while the censured is found faultless.
Source: Wikisource

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