Summary

Portrait of Adolphus William Ward Adolphus William Ward The Cambridge History of English Literature

In an enquiry embracing the history of motives, causes, and ends, it is often far less important to dwell on “leading” personalities and on the main tendencies of literary production, than to consider subsidiary movements and writers below the highest rank, and to trace, in apparently arid periods, processes which were often carried on, as it were, underground, or seemed to be such as could safely be ignored. It cannot be too often urged that there are few, if any, isolated phenomena; the voices may be voices crying in the wilderness, but they belong to those who prepare the way.
Source: Wikisource

Portrait of Adolphus William Ward Adolphus William Ward The Cambridge History of English Literature

With regard to future volumes—since the history of a nation’s literature cannot be divorced from some consideration of its political, religious, and social life, including its manners as well as its phases of sentiment and fashion, its trivial thoughts no less than its serious moments—the editors have thought it well to make some provision for treating certain subjects more or less closely allied to literature pure or proper.
Source: Wikisource

Portrait of Adolphus William Ward Adolphus William Ward The Cambridge History of English Literature

To force an account of literary, educational, or scientific movements into chronological shackles, and make it keep step year by year with the progress of external events, or to present it as an orderly development when its edges are, in truth, woefully ragged, is not always either possible or desirable. From time to time, buried treasure comes to light; things seemingly of a day suddenly reveal the strength that is in them and become things for all time
Source: Wikisource

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