Alan Sullivan

Alan Sullivan

Summary

Portrait of Alan Sullivan Alan Sullivan The Spirit of the Man (1922)

He knew, too, that the jungle was afraid of them—as it was of him—and this made him feel as though they were not his natural enemies. He could not trust them yet, for, balanced in the tree-tops, he had seen too much killing, but a far-away voice told him to keep as close as he dared and see as much as he might. And it appeared now that, for animals who were weak and moved so slowly, they were very powerful.
From the tent came the sound of a voice, sleepy but distinct. The great ape stiffened where he stood, ready for instant flight.
Source: Wikisource

Portrait of Alan Sullivan Alan Sullivan The Spirit of the Man (1922)

There is no escape, once those long jaws have closed, and it is vain to batter at that bony skull. The man-like beast knew this, and his first impulse was to fly, when there rose within him a grim fury that this monster should threaten those whom he now suddenly and in a queer way recognised as friends. His hairy throat began to swell, the flat face grew distorted with rage, great muscles bulged on neck and arms as he crouched. The crocodile glanced at him malevolently with a narrow, vicious eye, then, taking no further heed, waddled nearer the tent.
Source: Wikisource

Portrait of Alan Sullivan Alan Sullivan The Spirit of the Man (1922)

The ape quivered at the touch, and fear became suffused in dumb compassion. The smell of man and blood rolled up in thick invisible waves, burdened with death and danger, but he fought back his savage instinct with all the power of a new and profound conviction. They were kinsmen, this thing and he. Then, prompted by he knew not what, he turned the man over, marvelling at his lightness, and laid a horny finger on the hole in the torn shoulder. And all the time he knew that the jungle was whispering, watching, and waiting. But the jungle would never get this.
Source: Wikisource

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