Summary

Portrait of Alexandre Dumas Alexandre Dumas,  The Three Musketeers — Chapter 49… (1844)

“ So strange a reception naturally gave Milady ample matter for reflection; so seeing that the young officer did not seem at all disposed for conversation, she reclined in her corner of the carriage, and one after the other passed in review all the surmises which presented themselves to her mind.
At the end of a quarter of an hour, however, surprised at the length of the journey, she leaned forward toward the door to see whither she was being conducted. Houses were no longer to be seen; trees appeared in the darkness like great black phantoms chasing one another. Milady shuddered.
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Source: Wikisource

Portrait of Alexandre Dumas Alexandre Dumas,  The Three Musketeers — Chapter 49… (1844)

“ Breathing that sea breeze, so much more invigorating and balsamic as the land is approached, contemplating all the power of those preparations she was commissioned to destroy, all the power of that army which she was to combat alone--she, a woman with a few bags of gold--Milady compared herself mentally to Judith, the terrible Jewess, when she penetrated the camp of the Assyrians and beheld the enormous mass of chariots, horses, men, and arms, which a gesture of her hand was to dissipate like a cloud of smoke. ”
Source: Wikisource

Portrait of Alexandre Dumas Alexandre Dumas,  The Three Musketeers — Chapter 49… (1844)

“ The officer superintended all these details with the same calmness Milady had constantly seen in him, never pronouncing a word himself, and making himself obeyed by a gesture of his hand or a sound of his whistle.
It might have been said that between this man and his inferiors spoken language did not exist, or had become useless.
At length Milady could hold out no longer; she broke the silence. "In the name of heaven, sir," cried she, "what means all that is passing? Put an end to my doubts; I have courage enough for any danger I can foresee, for every misfortune which I understand.
”
Source: Wikisource

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