Summary

Alfred Newton 1911 Encyclopædia Britannica, Volume 5… (1911)

During the years of its domestication, the canary has been the subject of careful artificial selection, the result being the production of a bird differing widely in the colour of its plumage, and in a few of its varieties even in size and form, from the original wild species. The prevailing colour of the most admired varieties of the canary is yellow, approaching in some cases to orange, and in others to white; while the most robust birds are those which, in the dusky green of the upper surface of their plumage, show a distinct approach to the wild forms.
Source: Wikisource

Alfred Newton 1911 Encyclopædia Britannica, Volume 5… (1911)

Most of the varieties, however, of which no fewer than twenty-seven were recognized by French breeders so early as the beginning of the 18th century, differ merely in the colour and the markings of the plumage. Hybrids are also common, the canary breeding freely with the siskin, goldfinch, citril, greenfinch and linnet. The hybrids thus produced are almost invariably sterile. It is the female canary which is almost invariably employed in crossing, as it is difficult to get the females of the allied species to sit on the artificial nest used by breeders.
Source: Wikisource

Alfred Newton 1911 Encyclopædia Britannica, Volume 5… (1911)

The males appear to compete with each other in the brilliancy of their melody, in order to attract the females, which, according to the German naturalist Johann Matthaüs Bechstein (1757–1822) always select the best singers for their mates. The canary readily imitates the notes of other birds, and in Germany and especially Tirol, where the breeding of canaries gives employment to a large number of people, they are usually placed for this purpose beside the nightingale.
Source: Wikisource

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