Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood A Prisoner in Fairyland — Chapter 17 (1913)

There was a certain air of unreality somewhere in the life at Bourcelles that ministered to fantasy. Rogers had felt it steal over him from the beginning. It was like watching a children's play in which the scenes were laid alternately in the Den, the Pension, and the Forest. Side by side with the grim stern facts of existence ran the coloured spell of fairy make-believe. It was the way they mingled, perhaps, that ministered to this spirit of fantasy.
There were several heroines for instance--Tante Jeanne, Mademoiselle Lemaire, and Mother; each played her role quite admirably.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood A Prisoner in Fairyland — Chapter 17 (1913)

Love had not died, but want of understanding, not attended to in time, had frayed the edges so that they no longer fitted well together. They have blown in here, thought Rogers as he watched them, like seeds the wind has brought. They have taken root and grown a bit. They think they're here for ever, but presently a wind will rise and blow them off again elsewhere.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood A Prisoner in Fairyland — Chapter 17 (1913)

Daddy, too, seemed sometimes but a tinsel author dressed up for the occasion, and absurdly busy over books that no one ever saw on railway bookstalls. While Mademoiselle Lemaire was not in fact and verity a suffering, patient, bed-ridden lady, but a princess who escaped from her disguise at night into glory and great beneficent splendour.
Mother alone was more real than the other players.
Source: Wikisource

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