Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood Carlton’s Drive (1909)

But at last, after passing another friend, the horse gave a leap that really frightened him, flinging him against the boards. It was a man, twice his own age, who more than any other had helped him in his evil living, not by doing likewise, but by smothering his first remorse with a smile and a sentence: “Of course, my boy, sow your wild oats! You’ll settle down later. No man is worth his salt who hasn’t sown his wild oats!” He was sliding along⁠—a kind of crawl, with something loathsome in his motion that suggested the reptile. Carlton nodded to him.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood Carlton’s Drive (1909)

He had an odd feeling that they all knew of some destination agreed upon; that he, too, knew it; but that it was not “playing the game” to admit that he knew. Yet about some of them⁠—their hurried steps, their gay faces, their waving hands⁠—there was a queer fugitive suggestion of sadness, even of fear. One or two touched the source of horror in him even. It hardly surprised him that the horse, steaming and sweating, should start forward with a frightened leap as each figure in turn was sighted and left behind.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood Carlton’s Drive (1909)

His voice was harsh “like iron”; and Carlton, supposing that he recognized a fare, replied testily, “Of course, you fool! And let her rip⁠—to the devil!” The spasm of strange pain had passed. He only felt tired to brokenness, sick with his corrupt and unsatisfying life, a dull, incomprehensible anger burning in him against the world, the driver⁠—and himself.
Source: Wikisource

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