Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood The Falling Glass

Beginnings, being in the nature of creation, are beyond language marvellous: the beginning of a day or of a night; of anger, when a rising temperature and the hasting run of blood betray in us the lurking savage who kills naturally; of illness, with its sharp reminder that life one day must stop; of love, when the sound of a voice changes the universe; or of spring, when a new softness in the air, nameless by any sense, proclaims the arrival of gigantic, flooding life. But the beginning of a storm is so wonderful that it can easily eat up disappointment.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Falling Glass

For as the light had piled in waves upon the eastern sky, the west had given its too early answer, and the suspicious radiance that had brought so grand a dawn was of the same evil quality that had lit the stars too brilliantly the night before. By four o’clock, then, just as the shadows lengthened steeply in the nearer gorges, a delicate trail of finespun cloud came thinning down the sky from south to north at an incredible height above the tallest peaks.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Falling Glass

Somewhere, somehow, it was known that we had planned our great attack at dawn, and so a whisper travelled down from the enormous heights: “Beware! The enemy is on the move!” All this, and more, lay in the casual phrase: “The glass is falling.”
Side by side with a natural annoyance there was this stimulus as well. For the beginnings of things are always very wonderful; alteration of what has been before, a new direction, purpose and independence, all these are involved in every true beginning. There is anticipation and surprise, promise of novelty, too; something is going to happen
Source: Wikisource

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