Summary

Portrait of Algernon Blackwood Algernon Blackwood The Human Chord/Chapter 1 — Chapter 11 (1910)

So relentless was his swift appearance, so implacable in purpose, that Spinrobin felt the sudden impulse to fly to her assistance. But instantly his great visage broke into a smile like the smile of thunderous clouds when unexpectedly the sun breaks through, then quickly hides itself again.
"Everywhere," he roared, "true things are great and clean.... Have faith... have faith...." And he looked upon them both as though his eyes would sweep from their petty souls all vestige of what was afraid and immature. "We all are--pure ... we all are true ... each calls his note in singleness of heart ...
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Human Chord/Chapter 1 — Chapter 11 (1910)

The whole cellar seemed in some way to sum up and synthesize the distinctive characteristics of the four rooms. Over it all, sheeting ceiling and walls, lay the living and receptive wax. Singularly suggestive, too, was the appearance of those huge metal discs, like lifeless, dark faces waiting the signal to open their bronze lips and cry aloud, ready for the advent of the Sound that should give them birth and force them to proclaim their mighty secret. Spinrobin stared, silent and fascinated, almost expecting them to begin there and then their dreadful and appalling music.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Human Chord/Chapter 1 — Chapter 11 (1910)

Skale turned and looked at him. He raised his hands aloft. His voice boomed again as of old.
"The open sky!" he cried with enthusiasm; "the vault of heaven itself! For no solid structure exists in the world, not even the ribs of these old hills, that could withstand the power of that--of that eternal and terrific--"
Spinrobin leapt to his feet. The question swept from his lips at last like a flame. Miriam clung to his arm, trying in vain to stop him.
Source: Wikisource

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