Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood The Wendigo — Chapter 8 (1910)

The blazing fire bent its flames as before a blast. And something swept with a terrific, rushing noise about the little camp and seemed to surround it entirely in a single moment of time. Défago shook the clinging blankets from his body, turned towards the woods behind, and with the same stumbling motion that had brought him—was gone: gone, before anyone could move muscle to prevent him, gone with an amazing, blundering swiftness that left no time to act.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Wendigo — Chapter 8 (1910)

Nothing really can describe that ghastly caricature, that parody, masquerading there in the firelight as Défago. From the ruins of the dark and awful memories he still retains, Simpson declares that the face was more animal than human, the features drawn about into wrong proportions, the skin loose and hanging, as though he had been subjected to extraordinary pressures and tensions. It made him think vaguely of those bladder faces blown up by the hawkers on Ludgate Hill, that change their expression as they swell, and as they collapse emit a faint and wailing imitation of a voice.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Wendigo — Chapter 8 (1910)

Isn't that enough to change a man beyond all recognition?" It was said in order to convince himself as much as to convince the others. The overemphasis alone proved that. And continually, while he spoke and acted, he held a handkerchief to his nose. That odor pervaded the whole camp.
For the "Défago" who sat huddled by the big fire, wrapped in blankets, drinking hot whisky and holding food in wasted hands, was no more like the guide they had last seen alive than the picture of a man of sixty is like a daguerreotype of his early youth in the costume of another generation.
Source: Wikisource

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