Summary

Alice Dunbar-Nelson Violets and Other Tales — Little Miss Sophie (1895)

She had been up town to carry the great, black bundle of pants and vests to the factory and receive her small pittance, and on the way home stopped in at the Jesuit Church to say her little prayer at the altar of the calm, white Virgin. There had been a wondrous burst of music from the great organ as she knelt there, an over-powering perfume of many flowers, the glittering dazzle of many lights, and the dainty frou-frou of silken skirts of wedding guests filing and tripping. So Miss Sophie stayed to the wedding, for what feminine heart, be it ever so old and seared, does not delight in one?
Source: Wikisource

Alice Dunbar-Nelson Violets and Other Tales — Little Miss Sophie (1895)

As bare and comfortless the room, so was Miss Sophie's lonely life. She rented these four walls from an unkempt little Creole woman, whose progeny seemed like the promised offspring of Abraham,—multitudinous. The flickering life in the pale little body she scarcely kept there by the unceasing toil of a pair of bony hands, stitching, stitching, ceaselessly, wearingly on the bands and pockets of pants.
Source: Wikisource

Alice Dunbar-Nelson Violets and Other Tales — Little Miss Sophie (1895)

The bundle grew larger each day, and Miss Sophie grew smaller. The damp, cold rain and mist closed the white-curtained window, but always there behind the sewing machine drooped and bobbed the little black-robed figure. Whirr, whirr went the wheels, and the coarse jean pants piled in great heaps at her side. The Claiborne street car saw her oftener than before, and the sweet, white Virgin in the flowered niche above the gold-domed altar smiled at the little penitent almost every day.
"Ma foi," said the slatternly landlady to Madame Laurent and Michel one day, "I no see how she live! Eat?
Source: Wikisource

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