Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

She was glad that Giles should think that of her, but it was of Maman she wanted him to think. “I am one of the still ones; one of the dull ones, beside Maman. And I never have great shattering leaps.” She looked away from Giles as she saw further into her simile, saw things she wanted him—oh! so wanted him—to see and understand. “Let me tell you, Giles. When one loves her, that is what one fears for her—those great leaps down from the rocks. So splendid; so bright and splendid; but so dangerous. There is danger for her always. When one loves her that is what one fears.”
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

It gave me the strangest feeling; like Maman sometimes. And her lovely, small things; like the little pinks and campanulas that grow along the banks; so sweet and tiny; and little mésanges with bright blue heads, hanging upside down in the birches. There is no one like her. Everyone else is still and dull beside her. Who could help loving her? Toppie would love her, I am sure. You would love her, too, Giles, if you knew her.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

He who had not spoken to his brother and to Maman in the Bois? The sharp tangle of her thoughts hurt her. She leaned her elbows on the table and her forehead on her hands. “I don't understand,” she said, keeping herself from crying.
“Poor little kid! Poor little kid!” broke as if irresistibly from Giles. He was almost crying, too. He walked up and down behind her. She felt that he would have liked to kiss and comfort her as if she had been Ruth or Rosemary. But, turning away at last, he dropped into his chair before the fire and for a long time they were both silent.
Source: Wikisource

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