Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 3… (1924)

It was English history she saw now when she went up to Oxford with Giles and Ruth, and English history was English character; whereas event, in French history, played so much more potent a part. Wandering in and out with Giles, the beauty of the town, with its significance, stole upon her mind and senses. Meditative, benign, and so humane, it seemed to smile at you like an old ecclesiastic with kindly eyes for youth. As one sat in a sun-steeped garden or dim, carved chapel, one felt its quiet like that of a tree, full of life and growth, so that, though it was old, it was also young
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 3… (1924)

I couldn't be bothered with children, or with a husband either—It's as good as a play to hear you talk, you know, Alix—all your quaint French ideas. What can one hope of a nation that still has them!—Cradles, hearthstones, hubby's socks to mend;—that's what really appeals to you, I suppose.”
“What appeals to me is to be established,” said Alix. “I do not care for babies; but they are a part of marriage, and no doubt one would come to like them when one had them.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 3… (1924)

Alix felt a little shy of sharing with Giles her deepest intuition about Mrs. Bradley's selflessness.
“I am afraid not enough, Giles. Did he really see her as you see her? I am afraid he was not a part of herself, and that is what one expects in England and that is why she must have been sad. And I think she loved best always—if you do not mind my saying so—the ones who were most part of herself—you and Captain Owen and Francis. One cannot help loving most people who are most part of oneself.”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature