Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

She's always felt that she was lovely and that everyone thought her lovely, and I suppose that preserves the complexion,” said Giles.
“But if everyone thinks one so, is it not likely that one is lovely?” Alix inquired. “And if one is so, why should one not think so oneself?” She considered that Giles was captious.
“No one is as right in every way as she thinks herself,” said Giles. “No one can be so smooth without being artificial. She's awfully nice, I'm sure; but for beauty, give me Mummy.”
It would not be polite to contradict him, but Alix, too, thought Giles absurd.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

All the houses were of red brick and all so singularly alike in spite of their adventurous excrescences. “Plus ça change, plus c'est la même chose,” thought Alix, as she watched the tea-time lights come out in the bow-windows with Gothic points over them, and felt that they held learned, innocent people who would not be disconcerted by anything that happened in the universe. She had never seen a place that seemed to her quite so safe as the Banbury Road.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

Maman was evidently preoccupied, yet determined. There was nothing for it but to submit.
A few days after this, Alix and Giles and Mrs. Bradley motored to Oxford. She did not enjoy the drive. It was sad to be losing Giles. She did not know how she would find Heathside without him. The cold, grey day matched her mood, and as they entered the mean, modern streets of Oxford, at dusk, she thought that she had never seen so triste a town and wondered that it could harbour beauty and antiquity.
Giles's rooms, however, were amusing. They belonged to another world.
Source: Wikisource

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