Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

Bradley must so often need to confide and would not know it. She talked to her about Giles. “I know he'll do well. I know he will be useful. Giles will always pull his weight wherever he is,” she said, and the conception of life as a boat where one's meaning consisted in pulling one's weight was a very new one to Alix. When his mother so spoke, she saw Giles sitting, half stripped, in the chilly English air, grey water beneath, grey sky above, bent to the oars among comrades and ready for the word of command.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 1… (1924)

She had not much to say about the High School and Ruth and Rosemary. But then it was Toppie Giles wanted to hear of.
Spring came at last, the early flowers, the returning birds, Toppie back from Bath and the Easter holidays hovering on a near horizon. And one day at tea-time Mrs. Bradley handed her a letter she had just received from Lady Mary Hamble, a letter in its unexpectedness and sweetness that was like the Spring. Could Mrs. Bradley lend Alix to them for a week-end, Lady Mary asked. There were to be young people in the house and a little dance and they would all enjoy having her.
Source: Wikisource

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