Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 2… (1924)

High hedges and thickets of wind-swept trees protected the little house, brick, flint, and tiles, from the gales that must, in stormy seasons, beat upon it from the sea. Flowers grew gaily, though untidily, beside the narrow flagged path that led from the wicket-gate to the back door. They crossed a band of cobblestones where oleanders grew in tubs, and, as they entered, passed a kitchen gleaming with ranged coppers. Giles as he followed madame Vervier and Alix, had the sensation of stepping into a fairy-tale.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 2… (1924)

Two other young men were also following madame Vervier and Alix. “Vous jouez le tennis, monsieur?” said one of them, the elegant one, in a gentle voice. He was a charming white-clad person, tall and slender, with eyes intensely blue, black hair brushed back from a starry forehead; and a face like a fox for finesse and flair and like a seraph's for sweetness. Perhaps he had perceived the something gagged and struggling in Giles's demeanour and had wanted at once to make him feel that, unimportant as any young man must be to a goddess, he might count on having significance for a new friend.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 2… (1924)

A line of docile cows, tethered side by side, ate their way into a strip of wine-coloured clover; meadow pipits mounted from the turf and filled the salt, sweet air with myriads of falling silver bells; in the distance the tall palisades of a wood rose against the sky and it looked like an island floating on the level sunlight of the plain. The glimmer of white houses among the grey boles revealed, as they approached, an embowered village on the cliff and Giles needed to make no mental reconstruction of beauty here.
Source: Wikisource

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