Anne O'Hagan

Anne O'Hagan

Summary

Portrait of Anne O'Hagan Anne O'Hagan The Stylishness of Mrs. Quinn (1905)

Bridget, crouching by her window, recalled resentfully that it was the milk-money which had built the L that made the parlor possible. For her part she hated it, and clove to her big kitchen, bright with sunshine or firelight and the glitter of polished tins, sweet with geraniums along the window-ledges—“a room a body can take a bit o’ comfort in,” she said.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan The Stylishness of Mrs. Quinn (1905)

She pretends not to believe that her face is much more interesting than the faces of—of us younger women—” She made a tactful change from what she had been about to say, for, indeed, poor Bridget had been setting forth the paintable qualities of her daughters. “As much lovelier, I tell her, as a sheet of paper with a noble poem upon it is lovelier than a blank sheet. Please help me to persuade her. I have set my heart upon it. I want to paint her in these clothes and sitting by her own kitchen window.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan The Stylishness of Mrs. Quinn (1905)

Beyond the village the land thrusts of a long, rocky promontory into the sea. In her youth Bridget had been wont to watch from its uttermost point for the return of the fleet, and this morning she had an irresistible yearning for the spot. She made her way through the town, past the gay and splendid summer settlement that by beyond it, out to her old lookout. There Bianca Greeley, reading under a green-lined umbrella among the rocks, saw her. When she had looked her at her a little while she went softly away without making her presence known to Bridget.
Source: Wikisource

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