Anne O'Hagan

Anne O'Hagan

Summary

Portrait of Anne O'Hagan Anne O'Hagan The Vanity of Foley (1906)

So he had left Popham's, and for a while every morning had been as Sunday to Nora, and to him every evening one of sauntering along the main street, of loitering, in congenial society, at the corners, of smoking countless cheap cigarettes, of being a “sport” according to his lights and those of his tribe in the little town.
How his father had stormed at his idleness, how his brother Pat had glowered, how the ugly word “loafer” had been dinned in his ears! And how Nora had defended him in public and upbraided him in private! Ah, it would be very good to see Nora again!
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan The Vanity of Foley (1906)

He was glad, on the whole, that it was only Nora whom he should see. He was glad that Pat had gone away to exercise his acquisitive and retentive gifts in another part of the world—Pat and the false Mary Ann Kehoe. In bibulous moments Foley always told his companions that it was woman's perfidy which had driven him into the army. Certainly Mary Ann had discarded him, despite his height and breadth and prettiness, for Pat, short and stolid and square-jawed.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan The Vanity of Foley (1906)

They trailed on to the accompaniment of the cow-bells' slow, single note. Foley stood by a corner of the fence. His blue eyes gazed unseeingly at the vegetable garden stretching in loamy richness back to the little house, silver among its dark-leaved lilac bushes.
By and by he turned, sighing, and retraced his steps. When he came again to the place opposite the recruiting agency he paused irresolute. The early lights were shining palely in the street lamps.
“I can't. I'm tired of soldierin',” he said fretfully to himself.
Source: Wikisource

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