Archie P. McKishnie

Archie P. McKishnie

Summary

Portrait of Archie P. McKishnie Archie P. McKishnie Love of the Wild

The sibilant song of Hallibut’s mill was driving the fur-bearing animals to seek more secluded haunts. The wood-ducks that had nested close in along the wooded shore drifted far back to another creek, and the black ducks did not flutter lazily along the marsh throughout the breeding season now, but high in air and remote from the noise and smoke and jar that was a new and fearful thing to them.
Boy McTavish hated that mill; and that schoolhouse of white boards clinging to the hill he hated, too. Hatred was a strange element with him.
Source: Gutenberg

Portrait of Archie P. McKishnie Archie P. McKishnie Love of the Wild

He knew the haunts of the brown and black bears, the gray wolves, and the wary deer. He knew just what part of the clear, deep creek the gamey bass or great maskilonge would be lying in wait for some unsuspecting minnow, and he could land the biggest and gamest of them, too. Many a glorious summer morning’s sport did he have drifting down the creek in his canoe and out on the white bosom of Rond Eau Bay, trolling for bass. Boy loved those beautiful mornings of the summer season when the air was all alive with birds and their voices.
Source: Gutenberg

Portrait of Archie P. McKishnie Archie P. McKishnie Love of the Wild

A big man from Civilization, who owned the strip of timber across the creek, had built a mill thereon, and all day long, now, that mill sang its song of derision, and the swaths in the wood were growing wider. It was his own timber the man was cutting—nobody could gainsay that fact; but he was destroying, each day, the creek, that silver thread that had been for so long a home for duck and mink and water-rat. He was destroying beauty and crippling the usefulness of the best trapping and fishing ground of the Bushwhackers.
Source: Gutenberg

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