Summary

Portrait of Arnold Bennett Arnold Bennett,  Teresa of Watling Street: A Fantasia on Modern Themes

“ Mare and rider stood motionless at the top of the cart-track, and Richard, from his place of concealment, could see that Juana was gazing fixedly into the chalk-pit The man with the elephants and the girl with the motor-car had not perceived her, and before they could do so she had ridden off down the field. It was a wonderful apparition, a wonderful scene—the moon, the vast hemisphere of the purple sky, the glittering and immense whiteness of the chalk-pit, the exotic forms of the elephants contrasted with the motor-car, and, lastly, the commanding and statuesque equestrian on the brow. ”
Source: Gutenberg

Portrait of Arnold Bennett Arnold Bennett,  Teresa of Watling Street: A Fantasia on Modern Themes

“ Richard saw that Raphael Craig made no sign of any sort.
Simon Lock continued: ‘You did not expect that I should proceed to extreme measures of this kind. You thought that the law of England would be sufficient to protect you from physical compulsion. You thought I should never dare. How foolish of you! As if I should permit myself to be ruined by an old man with a bee in his bonnet; an old man whose desire is not to make money—I could have excused that—but to work a melodramatic revenge.
”
Source: Gutenberg

Portrait of Arnold Bennett Arnold Bennett,  Teresa of Watling Street: A Fantasia on Modern Themes

“ Craig,’ said Lock suavely to Richard, ‘has given a highly-coloured account of a somewhat ordinary affair. But to appease him I do certainly ask his mercy. I do admit that he has the upper hand.’
‘And I will see you eternally damned, Simon Lock,’ said Raphael Craig, ‘before I grant you an ounce of mercy! There is no mercy for such as you, who are never merciful yourselves.
”
Source: Gutenberg

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