Arthur Conan Doyle

Arthur Conan Doyle

Summary

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Silver Mirror (1911)

The mirror in its silver frame was like a stage, brilliantly lit, in which a drama was in progress. There was no mist now. The oppression of my nerves had wrought this amazing clarity. Every feature, every movement, was as clear-cut as in life. To think that I, a tired accountant, the most prosaic of mankind, with the account-books of a swindling bankrupt before me, should be chosen of all the human race to look upon such a scene!
It was the same scene and the same figures, but the drama had advanced a stage. The tall young man was holding the woman in his arms.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Silver Mirror (1911)

She is seated on the extreme left of the mirror. A sort of shadowy figure crouches down beside her-- I can dimly discern that it is a man--and then behind them is cloud, in which I see figures--figures which move. It is not a mere picture upon which I look. It is a scene in life, an actual episode. She crouches and quivers. The man beside her cowers down. The vague figures make abrupt movements and gestures.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Silver Mirror (1911)

Dimly now I begin to see the figures in the background. Fierce faces, bearded and dark, shape themselves out of the mist. There is one terrible creature, a skeleton of a man, with hollow cheeks and eyes sunk in his head. He also has a knife in his hand. On the right of the woman stands a tall man, very young, with flaxen hair, his face sullen and dour. The beautiful woman looks up at him in appeal. So does the man on the ground. This youth seems to be the arbiter of their fate. The crouching man draws closer and hides himself in the woman's skirts.
Source: Wikisource

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