Arthur Edward Johnstone,
Instruments of the Modern Symphony Orchestra…
(1917)
“ Although it has a possible range of three and a half octaves, its principal use is to extend the downward range of the bassoon, thus supplying a solid, deep-pitched foundation for the wood-wind section. The tones comprising the two lowest octaves are the most valuable. They are employed both in forte and piano passages, though the subduing of the deepest tones requires great skill. The soft attack is all but impossible. The tonal quality differs little from that of the ordinary bassoon. ”
