Arthur Edward Johnstone

“ The first octave is weak and of little effect, its tones being better replaced by the second octave of the flute. The second octave of the piccolo is useful for imparting brilliancy in fortissimo passages, or it may be used for extending the upward range of the wood-wind, either forte or piano, by continuing a passage when it passes above the compass of the flute. The highest notes are shrill and piercing; they are excellent for tearing, whistling effects in music of a stormy or terrifying character. ”