Arthur Stringer

Arthur Stringer

Summary

Portrait of Arthur Stringer Arthur Stringer,  The Blue Pear (1904)

“ Right at the back of this house is a wire, a power-circuit, alive with more than two hundred times that voltage, with power in plenty—a little condensed Niagara of power—asking to be taken off and made use of!”
“But what use?”
“I can capture and tame and control that power, Mame. I can make it my slave and carry it along with me, almost in my pocket, on a mere thread of wire. I can make it a living, iron-eating otter, with a dozen fangs—in the shape of quarter-inch drills, gnawing and biting and eating through that armor-plate door about the same as a rat would gnaw through a wooden lath.
”
Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer,  The Blue Pear (1904)

“ Entrenched in her little top-floor studio, behind a show-case of cotillon favors, Miss Cecelia Starr sat in her wicker rocker, very quietly and very contentedly, sewing. She felt that it had been an exceptionally profitable day for her.
Three hair-pins and a linen handkerchief held a watch-case receiver close over her ear, after the style of the metallic ear-bands of a central-office operator. Leading from this improvised ear-band and trailing across the floor out into her private room at the back, ran a green, cloth-covered wire.
”
Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer,  The Blue Pear (1904)

“ Cautiously, he felt his way across the warm cellar, up the steps, and at last faced his one defiant barrier, the door of solid steel, abutted by even more solid masonry. The builders of that door had done their best to make it forbidding to men of his turn of mind, Durkin ruminated, as he felt and sounded and tested despondently over its taciturn painted surface. ”
Source: Wikisource

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