Arthur Waugh

Summary

Arthur Waugh 1911 Encyclopædia Britannica (1911)

The truest criticism of William Morris is that attributed to his friend, the poet Swinburne, who said that he was always more truly inspired by literature than by life. His Socialism, though it made a brave show at times, was at heart a passionate enthusiasm for an inaccessible artistic ideal. Morris, indeed, was not primarily interested in men at all, but in objects. His poetry deals, it is true, with the human passions, but the emotion is always seen as in a picture; he is more concerned with the attitude of the group than with the realization of a character.
Source: Wikisource

Arthur Waugh 1911 Encyclopædia Britannica (1911)

This is the one failing of his art: it is also the shortcoming of his poetry. Granted this, there is left an immense amount that will always command admiration. The spirit of beauty breathes in every line; a sense of music and of colour is everywhere abundant; the reader moves, as it were, under a canopy of apple-blossom, over a flower-starred turf, to the faint harmony of virginals. Nor does the poet lack power and vigour when an adventurous story is to be told.
Source: Wikisource

Arthur Waugh 1911 Encyclopædia Britannica (1911)

The work was done too soon and too fast, the colours began to fade at once, and are now barely decipherable; but the broken designs, so long as any vestige remains, will always be interesting as a relic of an important aesthetic movement and as the first attempt on Morris’s part towards decorative art (see Rossetti) . Early in 1858 Morris published The Defence of Guenevere, which was almost unnoticed by contemporary criticism, but is now recognized as one of the pearls of Victorian poetry.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature