William Morris

“ I'm glad you're a dead man, William Morris, I'm glad you're down in the damp and mouldy, only a memory instead of a living man—I'm glad you're gone.
You never lied to us, William Morris, you loved the shape of those stones piled and carved for you to dream over and wonder because workmen got joy of life into them,
Workmen in aprons singing while they hammered, and praying, and putting their songs and prayers into the walls and roofs, the bastions and cornerstones and gargoyles—all their children and kisses of women and wheat and roses growing. ”

“ The truest criticism of William Morris is that attributed to his friend, the poet Swinburne, who said that he was always more truly inspired by literature than by life. His Socialism, though it made a brave show at times, was at heart a passionate enthusiasm for an inaccessible artistic ideal. Morris, indeed, was not primarily interested in men at all, but in objects. His poetry deals, it is true, with the human passions, but the emotion is always seen as in a picture; he is more concerned with the attitude of the group than with the realization of a character. ”

“ The third of nine children, he was born at Walthamstow, in Essex, England, on the 24th of March, 1834. On the Morris side he came of Welsh ancestry, a fact accounting perhaps for the mingled gloom and romance of his temperament. His father was a discount broker in opulent circumstances, and his mother was descended from a family of prosperous merchants and landed proprietors. On the maternal side a strong talent for music existed, but in the Morris family no more artistic quality can be traced than a devotion to general excellence, to which William Morris certainly fell heir. ”

“ There is no greater mistake than to think of William Morris as a sentimentalist, who, having built himself a dream-house of art and poetry, sighs over the turmoil of the world, and calls himself a Socialist because factory chimneys obtrude themselves upon his view. ”

“ Every man who worked under him had to be prepared for occasional outbursts of impatient temper, when Morris spoke, we are told, rather as a good workman scornful of bad work, than as an employer finding fault with his men; but in the long run all were sure to receive fair and friendly treatment.
Such was William Morris at his Merton works, a master craftsman worthy of the best traditions of the Middle Ages, fit to hold his place with the masons of Chartres, the weavers of Bruges, and the wood-carvers of Nuremberg. ”

“ Few men seemed to drink so full a measure of life as William Morris, and, indeed, he frankly admitted in his last days that he had enjoyed his life. I have heard him say that he only knew what it was to be alive. ”

“ These things are frankly admitted, but the refreshing fact remains that fully one-half the homes of England and America have been influenced by the good taste and vivid personality of one strong, earnest man.
William Morris was the strongest all-round man the century has produced. He was an Artist and a Poet in the broadest and best sense of these much-bandied terms. William Morris could do more things, and do them well, than any other man of either ancient or modern times whom we can name. William Morris was master of six distinct trades. ”

“ William Morris was a giant in physical strength and a giant in intellect. His nature was intensely masculine, in that he could plan and act without thought of precedent. Never was a man more emancipated from the trammels of convention and custom than William Morris.
Kelmscott House at Hammersmith is in an ebb-tide district where once wealth and fashion held sway ”

“ I have recently heard that the signature has been identified as authentic by a man who was familiar with Rossetti's handwriting.
When the firm of Morris and Company, Dealers in Art Fabrics, was gotten under way, and Dante Gabriel had ceased to argue details with that pre-eminently sane man, William Morris, his finances began to prosper. Morris directed and utilized the energies of his partners. He marshaled their virtues into a solid phalanx and marched them on to victory. No doubt that genius usually requires a keeper. ”

“ William Morris was an avowed socialist long before so many men began to grow fond of calling themselves Christian Socialists. Morris was too practical not to know that the time is not ripe for life on a communal basis, but in his heart was a high and holy ideal that he has partially explained in his books, "A Dream of John Ball" and "News From Nowhere," and more fully in many lectures. His sympathy was ever with the workingman and those who grind fordone at the wheel of labor. To better the condition of the toiler was his sincere desire. ”

“ Sharing, as I myself now do, very largely in this changed outlook of mind, I find the question forces itself upon me as it doubtless also does on many readers of these pages—Is the gospel of Art and Socialism as exemplified in the work and teaching of William Morris adequate as a practical precept and philosophy of life? Would I, for example, say to any earnest-minded young man or woman, 'Go and follow as far as in your power lies the teaching of William Morris, and therein you will find the whole duty and Kingdom of Man?' No, indeed, I should not. ”

“ Glasse spoke of the significance of the fact that the most gifted artistic genius of our day had associated himself with a movement that was everywhere condemned as being but the expression of sordid and uncultured discontent. Yet no one could say that William Morris was uncultured or had any reason in a worldly sense to be discontented with his lot. ”

“ Had he not written at all he would still have been a remarkable and memorable man, but having written much, and as poet, his claim as such must be considered before all others. And Morris's poetry is a permanent record of the man's temper, of his spiritual adventures and discoveries, not a desultory series of impressions imposed by external events, but the continuous manifestation of his reading of life. His conception of art, formed in his youth, as the expression of joy in living, as the immediate and necessary outcome of life itself wherever life was full, knew no change to the end. ”

“ She is remembered and described by her grandchildren—she lived to the age of eighty-five—as a tall fine-looking woman. At Worcester their second son, William Morris, was born on the 14th of June, 1797. About 1820, his father having then removed his business to London, he was entered as a clerk in the firm of Harris, Sanderson and Harris, discount brokers, of 32 Lombard Street. It was a newly-founded London house. ”

“ No doubt many even of the most emphatic admirers of William Morris's work as an artist, a poet, and a decorator have been unable to follow him in this direction, while others have deplored, or even denounced, his self-sacrificing enthusiasm. ”

“ Morris was not only great as a man of genius and of general attainments; he was great in the high manliness and in the amplitude and richness of his nature. The impression of strength, of self-sufficiency, of action, of great individuality in him was felt by everyone in his presence. ”

“ William Morris, whose name has been practically associated with the revival of beauty in the arts and crafts of design in many ways before our Society came into existence, and who with his co-workers may be said to have been the pioneer of our English Renascence, which it is our earnest desire to foster and perpetuate.
Every movement which has any substance and vitality must expect to encounter misrepresentation, and even abuse, as well as sympathy and support. ”

“ It was an ideal home for a boy with healthy outdoor tastes. There Morris, rambling with his brothers on foot or on Shetland ponies through the Forest, formed his intense love of nature and his keen eye for all sorts of woodland life. He never ceased to love Epping Forest, and to uphold the scenery of his native county as beautifully and characteristically English. The dense hornbeam thickets, which even in bright weather have something of solemnity and mystery in their deep shade, and which are hardly found elsewhere in England, reappear again and again in his poetry and his prose romances. ”

“ But having said that Morris was not an orator, and without judging this to be either a merit or a defect in him, I must hasten to say that his public speaking, to those who had ears to hear, was one of the finest things to listen to that could be heard on an English platform. It was so like what one expected of him, so characteristic of the man, so interesting in substance and manner, and withal so fresh, so natural and uneffortful, and full of personal flavour. It was as different from the customary platform oratory as a mountain spring is from a garden fountain. ”

“ The mind is steeped in the beauty of imagery, and content to have emotion and thought lulled by the long, melancholy swing of lines that seem like the echo of great poetry without its living voice. Such poetry is what Morris wished his decorations to be—the “lesser art” that brings repose from the quickening of soul with which a masterpiece is greeted. The spirit revealed through the fluent murmur of the melodious words is very true to him and lies at the root of all his efforts toward making life fair to the eyes and soothing to the heart. ”

“ When we have mentioned reprinted papers by William Morris and Sir Oliver Lodge, and a tract by Sidney Ball, the list is virtually complete. Mr. Wells himself only contributed to us his paper "This Misery of Boots," and his appeal to the rank and file yielded nothing at all. Of course there are plenty of people as innocent in this respect as Mr. Wells was at that period referred to. Hardly a month has passed in the last twenty years without somebody, usually from the remote provinces, sending up a paper on Socialism, which he is willing to allow the Society to publish on reasonable terms. ”

“ SOCIALIST MOVEMENT
CHAPTER I
introduction
Think of the joy we have in praising great men, and how we turn their stories over and over, and fashion their lives for our joy; and this also we ourselves may give to the world.—William Morris. (Mackail's Life, i. 334.)
William Morris was to my mind one of the greatest men of genius this or any other land has ever known. In abundance of creative energy and fullness of skill in arts and letters it is doubtful if he has ever been excelled. ”

“ Æschylus, Homer, Virgil, Dante, Michael Angelo, Shakespeare, Milton, Goethe, Beethoven, Wagner, Shelley, Wordsworth—there is an inspiration to the lips in the very names of these men and their fellows, but there must be no disputation as to the headship in their presence; they themselves will but laugh if they heed us at all. And Morris is, as I see him, clearly of that fellowship. By some strange generosity of nature he was not only allowed to give great poetry to the world, but also to readjust for us the significance of life in phases a little lower than the highest. ”

“ In Morris’s world we should all be very happy if we were like Morris. He was not very happy in our world, yet perhaps he managed to get out of it as much of the joy of doing as it can be made to yield to any one man. His Socialism, from one point of view, was certainly a tremendous failure, but no other side of his life visible to the public at large showed so plainly his moral virtues, his generosity, his sincerity, his power of self-sacrifice, his effort toward self-control. ”

“ Thus it was that, before and after the adoption of his final political creed, Morris carried on his work patiently from day to day, and thus it was that he exhorted others by word and example to carry on theirs; "not living like fools and fine gentlemen, and not beaten by the muddle, but like good fellows trying by some dim candle-light to set our workshop ready against to-morrow's daylight." ”

“ MEN OR THE ACRE OF THE UNDYING. WRITTEN BY WILLIAM MORRIS. Large 4to. Troy type, with list of chapters in Chaucer type. In black and red. Borders 12a and 12, 23 designs by Walter Crane, engraved by A. Leverett, and a woodcut title. 250 on paper at five guineas, 7 on vellum at twenty pounds. Dated Jan. 13, issued Feb. 17, 1894. Published by William Morris. Bound in limp vellum.
Neither the borders in this book nor six out of the seven frames round the illustrations appear in any other book. The seventh is used round the second picture in Love is Enough. A few copies were bound in half holland. ”

“ We have seen that the earth was to Morris from boyhood in some sort a sacred thing. And the people of the earth were no less. His one overmastering passion was for a world wherein men and women lived in full responsiveness to the beauty of the earth, labouring with their hands and adventurous and capricious in spirit, finding joy in their work and in contact with each other, and rejecting all the things of civilization that were dulling and mechanical. ”

“ Two of his sons became singing canons of Worcester Cathedral and Westminster Abbey; a third, Joseph, was equally devoted to the art, of which he became a teacher in Worcester. The families of the Sheltons and Morrises, between whom there was some distant connexion by marriage, were intimate with one another, and the marriage of William Morris to Emma Shelton, Joseph Shelton's youngest daughter, was a natural arrangement. It was then still customary that one of the members of a City firm should live at their place of business. ”