Summary

Portrait of Baroness Orczy Baroness Orczy The Emperor's Candlesticks — CHAPTER I (1899)

The black domino turned sharply round, just in time to catch hold of a little hand, which had crept round the column, that separated the box in which he was sitting, from the adjoining one.
"The best is still too far," he whispered; "is it unattainable?"
"Always try to obtain the best," replied the mocking voice, "even at the risk of scaling the inaccessible walls of an opera-box."
"I cannot get to thee, fair mask, without momentarily letting go this tiny hand, and it is never safe to let a bird, even for a moment, out of its cage."
Source: Wikisource

Portrait of Baroness Orczy Baroness Orczy The Emperor's Candlesticks — CHAPTER I (1899)

The taller domino now lent forward in the box, his opera-glass glued to his mask, eagerly scanning the crowd; but, though numerous Moorish and Turkish veiled figures passed backwards and forwards, he did not recognise the enterprising odalisque among them.
"Look not for the good that lies far away when the best is so close at hand," whispered a mocking voice, close to his elbow.
Source: Wikisource

Portrait of Baroness Orczy Baroness Orczy The Emperor's Candlesticks — CHAPTER I (1899)

Assyrian queens were walking arm in arm with John Bulls, Marguerites were coquetting unblushingly with gallants of some two centuries later, while Hamlets and Orthellos were indulging in the favourite Viennese pastime of hoisting their present partners on to the tallest pillars they could find, with a view to starving them out up there, into a jump some ten or twelve feet below, when they would perforce land into the outstretched arms of their delighted swains.
Source: Wikisource

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