Summary

Portrait of Eliza Davis Aria Eliza Davis Aria Costume: Fanciful, Historical, and Theatrical… (1906)

No mode ever invented has appealed so strongly to the imagination, or given rise to such tragedies and comedies, as that of the mask, and no other has led its followers to such flights of folly. Nevertheless, I find myself sighing for the days when it invested the neutral-tinted world with the glamour of romance, twin sister of mystery, which was the prevailing atmosphere when fashion decreed that men and women should assume a common disguise and flit, shadow-like, among other nameless shadows through the complicated mazes of their social highways and byways.
Source: Wikisource

Portrait of Eliza Davis Aria Eliza Davis Aria Costume: Fanciful, Historical, and Theatrical… (1906)

And I pause here to observe with emphasis that at a masked ball a domino is invested with special interest when surmounted by a fantastic headgear, and that such an incongruous alliance as that of a white-powdered and curled wig and the black silk domino shaped as a gaberdine, with a full hood and lace-frilled silk mask, creates an effect beneath which an identity may be most easily concealed. Far more desirable, however, in the interests of the beautiful, is it to select the domino and head-dress in sympathy
Source: Wikisource

Portrait of Eliza Davis Aria Eliza Davis Aria Costume: Fanciful, Historical, and Theatrical… (1906)

Whether worn privately or in public, its disguise has at all times and in all countries been respected as inviolably sacred. To the masked the greatest extravagance of language and gesture is permitted. He is allowed to indulge in acrid personalities and proclaim scathing truths which, even if addressed to the monarch himself, go unrebuked. To strike a mask is a serious offence, while in no class of society, however degraded, would any one dare to unmask a woman.
Source: Wikisource

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