Eliza Davis Aria,
Costume: Fanciful, Historical, and Theatrical
(1906)
“ The over-part of the dress and the skirt beneath it were boned and wired, and tight lacing ruled in an injurious degree, though the enormous sleeves, ruffles, and skirts might well have accorded such an effect of slimness as to render stringent measures unnecessary. Dress was a magnificent affair altogether; velvet and taffeta and fine scarlet cloth were used, lace played its part bravely, and silken scarves fringed with gold and silver were thrown over the shoulders, with deep capes of satin or velvet edged with lace. ”
