Summary

Portrait of Ben Hecht Ben Hecht Broken Necks — Broken Necks (1926)

The music of desires——little starved and fearful things come out for a moment in the sun and wind——piped vainly for dancers. There was something vague and bewildered about the buildings and the people as if there were a great undying shout in the streets. What a panic this monotonous return of spring breeds among the little half-dead as they shuffle and bob along with a tingle in their heels and a blindness that comes suddenly into their eyes. For it is through the mists of greedy complacencies that the little half-dead are able to pick their steps with certainty and precision.
Source: Wikisource

Portrait of Ben Hecht Ben Hecht Broken Necks — Broken Necks (1926)

Up and down the street swarmed the endless faces of the little greedy half-dead, lighted for a moment by the great sun. And having completed my philosophy, and because it was on this corner the gaunt and hollow-faced one had once stood, his heart swelled with a joyous hate, shouting at the buildings, I laughed and spat and eyed a woman whose body was like the body of a long, lithe animal prowling under a lavender and turquoise dress.
Source: Wikisource

Portrait of Ben Hecht Ben Hecht Broken Necks — Broken Necks (1926)

It swept like a curtain between us and the two white bundles that had shot through the trap. The two men were hanging. The howling came from the prisoners in the cells beyond in the jail, howling like the sustained cry of an army out of a wilderness. The two white bundles that were hanging, stirred. One of them turned slightly, with a certain idleness. The other began to expand and contract. A curious animation gradually took possession of it. Several minutes passed and the white bundles continued to bob and twitch.
Source: Wikisource

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