Ben Hecht,
Broken Necks — Rendezvous
(1926)
“ When finally she covers herself with the dress, blotting out the intimate decorations which she has lavished on her body, she is like a votary who, depositing his gifts upon a hidden altar, leaves the scene warm with the sense that he has served the gods. It is this consciousness that in adorning herself she has offered and received a sacrifice, that she has knelt in perfect devotion before her own destiny, which renders her mysterious in the eyes of men. ”
