Catharine Maria Sedgwick

Catharine Maria Sedgwick

Summary

Portrait of Catharine Maria Sedgwick Catharine Maria Sedgwick Letters from Abroad to Kindred at Home… (1841)

Under my window is a garden with grapes, interspersed with fruit-trees and flowers, and enclosed by a white paling, and finishing at each end with the old towers of the castle-wall. Along the narrow road between the garden and the river there are peasant-girls going homeward with baskets of fresh-mown grass on their heads, followed by peasants in their dark blouses, with their sickles swung over their shoulders. Little boats are gliding to and fro, guided, and, as their ringing voices tell you, enjoyed by children.
Source: Wikisource

Portrait of Catharine Maria Sedgwick Catharine Maria Sedgwick Letters from Abroad to Kindred at Home… (1841)

Nothing is left to indicate the rude luxury of its lordly masters; its aspect is merely that of an ill-contrived prison.
When we got back to the inn an old man, who seemed an habitué, asked us, in very good French (which Germans of the inferior orders never speak) , to walk into the garden. Such a pretty garden, with its towers, its fragment of the old castle-wall, its bowers and wreaths of grapes, and such grapes; oh, you would go mad if you could see them, remembering your seasons of hope and despair over your few frostbitten vines.
Source: Wikisource

Portrait of Catharine Maria Sedgwick Catharine Maria Sedgwick Letters from Abroad to Kindred at Home… (1841)

The steamer carried us past village after village most beautiful as seen in passing; but again, my dear C., I warn you not to let this, the greenest word in memory, call before you wide streets, shaded courtyards, ample space, and all rural luxuries. A village here is a mass of wretched dwellings stuck against mouldering walls, where human existence, in point of comfort, is nearly on a level with the brutes; in fact, the same roof often shelters all the live-stock, from the master to his ass.
Source: Wikisource

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