Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens Sketches by Boz — Astley's (1836)

For ourself, we know that when the hoop, composed of jets of gas, is let down, the curtain drawn up for the convenience of the half-price on their ejectment from the ring, the orange-peel cleared away, and the sawdust shaken, with mathematical precision, into a complete circle, we feel as much enlivened as the youngest child present; and actually join in the laugh which follows the clown’s shrill shout of ‘Here we are!’ just for old acquaintance’ sake.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — Astley's (1836)

Nor can we quite divest ourself of our old feeling of reverence for the riding-master, who follows the clown with a long whip in his hand, and bows to the audience with graceful dignity. He is none of your second-rate riding-masters in nankeen dressing-gowns, with brown frogs, but the regular gentleman-attendant on the principal riders, who always wears a military uniform with a table-cloth inside the breast of the coat, in which costume he forcibly reminds one of a fowl trussed for roasting.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — Astley's (1836)

At Astley’s they are always more numerous than at any other place. There is generally a groom or two, sitting on the window-sill, and two or three dirty shabby-genteel men in checked neckerchiefs, and sallow linen, lounging about, and carrying, perhaps, under one arm, a pair of stage shoes badly wrapped up in a piece of old newspaper. Some years ago we used to stand looking, open-mouthed, at these men, with a feeling of mysterious curiosity, the very recollection of which provokes a smile at the moment we are writing.
Source: Wikisource

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