Summary

Portrait of Charles Dickens Charles Dickens Sketches by Boz — Miss Evans and the eagle (1836)

Mr. Samuel Wilkins, who had been muttering apart for some time past, as if he were holding a confidential conversation with the gilt knob of the dress-cane, breathed hard-breathing vengeance, perhaps,—but said nothing. ‘The soldier tired,’ Miss Somebody in white satin. ‘Ancore!’ cried Miss J’mima Ivins’s friend. ‘Ancore!’ shouted the gentleman in the plaid waistcoat immediately, hammering the table with a stout-bottle. Miss J’mima Ivins’s friend’s young man eyed the man behind the waistcoat from head to foot, and cast a look of interrogative contempt towards Mr. Samuel Wilkins.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — Miss Evans and the eagle (1836)

His face was round and shining, and his hair carefully twisted into the outer corner of each eye, till it formed a variety of that description of semi-curls, usually known as ‘aggerawators.’ His earnings were all-sufficient for his wants, varying from eighteen shillings to one pound five, weekly—his manner undeniable—his sabbath waistcoats dazzling. No wonder that, with these qualifications, Samuel Wilkins found favour in the eyes of the other sex: many women have been captivated by far less substantial qualifications.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — Miss Evans and the eagle (1836)

There were the walks, beautifully gravelled and planted—and the refreshment-boxes, painted and ornamented like so many snuff-boxes—and the variegated lamps shedding their rich light upon the company’s heads—and the place for dancing ready chalked for the company’s feet—and a Moorish band playing at one end of the gardens—and an opposition military band playing away at the other.
Source: Wikisource

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