Summary

Charles E. Van Loan Buck Parvin and the Movies — Buck's Lady Friend (1919)

Fate, which often uses the wireless telegraphy of the human eye to bring about its ends, chose this moment to strike the spark of jealous anger deep into Buck's wounded vanity. Jack La Rue, idle and mischievous, glancing casually about the studio, spied Georgine and stared hard at her. Interpreting his curiosity as an awakening interest, Georgine tossed her plumes with bovine coquetry and, if a woman weighing one hundred eighty-nine pounds can be said to simper, Georgine simpered.
Source: Wikisource

Charles E. Van Loan Buck Parvin and the Movies — Buck's Lady Friend (1919)

Chaps, woolen shirts, bandannas, sombreros, cartridge belts and boots were everywhere, for the dressing-room belonged to none other than Buck Parvin.
Charlie Jennings, a stick of grease paint in his hand, jabbed viciously at the corner of Buck's left eye. It was one of the detested duties of the assistant director to make up the extra men and such actors as could not be trusted with pigments.
"Say, hold still, can't you, Parvin? Confound it, I'd rather paint an eel's face than make you up! Never mind trying to see yourself in the glass. I'll make you as handsome as possible."
Source: Wikisource

Charles E. Van Loan Buck Parvin and the Movies — Buck's Lady Friend (1919)

I told you to hand Jack the letter before you made the exit! I rehearsed you twice, and you go sleep-walking over the sidelines and ball up the entire scene! What's the matter with you lately, Buck? Get on to yourself, and for pity's sake don't jump so when I speak to you!"
When reproved while the camera was clicking, Buck would start guiltily and look toward the director, thus committing another crime beyond excuse or pardon. In the movies, where everything goes by looks and gestures, nothing registers quite so heavily against realism as a startled glance in the wrong direction.
Source: Wikisource

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