Summary

Portrait of Charles James Lever Charles James Lever The Martins Of Cro' Martin, Vol…

She ceased, for Nelligan had now drawn nigh to where they sat, and stood as if trying to collect himself to say something.
“Do you sing, Mr. Nelligan?” asked Kate.
“No; I am ignorant of music,” said he, half abstractedly.
“But you like it?” asked Mary.
“Yes, I believe I do,—that is, it calms and quiets me. If I could understand it, it would do more.”
“Then why not understand it, since that is the way you phrase it?” asked Kate. “Everybody can be a musician to a certain degree of proficiency. There is no more ear required than you want to learn a language.”
Source: Gutenberg

Portrait of Charles James Lever Charles James Lever The Martins Of Cro' Martin, Vol…

Mary was silent and thoughtful; she knew not how to interpret the mingled praise and censure she had just listened to.
“But tell me rather of yourself,” said Mary, as though willing to turn the topic of conversation. “I should like to hear your story.”
“At thirteen years of age—I believe even a year later—I was the playfellow of the young gentleman you see yonder,” said Kate Henderson, “but who, to-night, seems incapable of remembering anything or anybody.”
“Of Mr. Nelligan?” repeated Mary. And Joseph started as he heard his name, looked up, and again relapsed into revery.
Source: Gutenberg

Portrait of Charles James Lever Charles James Lever The Martins Of Cro' Martin, Vol…

Remember, Miss Martin, that I was but a child at this time—at least, I was little more than fourteen—but in another year I was a woman, in all the consciousness of certain attractions, clever enough to know that I could read and detect the weak points in others, and weak enough to fancy that I could always take advantage of them. This incessant spirit of casuistry, this passion for investigating the temper of those about you, and making a study of their natures for purposes of your own, is the essence of a convent life
Source: Gutenberg

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