Charles L. Fontenay

Summary

Charles L. Fontenay,  Beauty interrupted (1958)

“ Spira, seeing that Erik was finished with painting for the moment, arose in a graceful flow of motion and came to them. She stood beside Erik, one hand on his shoulder, and studied the canvas without speaking.
"You're the only Earthman on all Orcti," Birkala began again. "Since I was a child I've heard of Erik, the Earthman who lives in the garden in the heart of the city. Since I was a child I've heard that Erik, the Earthman, watches over us like a noble god. Why do you really stay on Orcti, Erik? To prevent us from progressing too swiftly and challenging the position of Earth?"
”
Source: Gutenberg

Charles L. Fontenay,  Beauty interrupted (1958)

“ It was an active blackness, a presence of blackness, and it filled the room to the very edge of the door, untouched by the normal light from the hallway.
The most frightening thing about it was that he felt an impulse to move into the room, a strong pull into the room, into the blackness. As he instinctively resisted, the pull grew stronger.
And then Birkala was terrified. For the pull was so strong that he could not step back away from the yawning door.
In a semi-daze, he fought with his mind, for the force was not a physical one. He fought, and he felt his control slipping.
”
Source: Gutenberg

Charles L. Fontenay,  Beauty interrupted (1958)

“ In the hallway across from that door, Birkala was struggling to his feet.
Erik seized Birkala in time to prevent him from hurling himself into the blackness of the activated room.
"Spira!" gasped Birkala. "She was pulled in there!"
With the strength of a giant, Erik hurled Birkala the length of the corridor.
"Get out!" he roared. "Quickly!"
Erik plunged into the holocaust of hostile blackness.
The room was endless, infinite. It was all space and all beyond space, and there was no light there for human eyes to see.
”
Source: Gutenberg

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