Charles W. Chesnutt

Charles W. Chesnutt

Summary

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XXXIII (1900)

Frank knelt by her side
and lifted her head on his arm. He put his hand
upon her brow; it was burning with fever.
"Miss Rena! Rena! don't you know me?"
She turned her wild eyes on him suddenly.
"Yes, I know you, Jeff Wain. Go away from
me! Go away!"
Her voice rose to a scream; she struggled in
his grasp and struck at him fiercely with her
clenched fists. Her sleeve fell back and disclosed
the white scar made by his own hand so many
years before.
"You're a wicked man," she panted. "Don't
touch me! I hate you and despise you!"
Source: Wikisource

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XXXIII (1900)

Just as the buggy reached the gate in front of the
house behind the cedars, a woman was tying a
piece of crape upon the door-knob. Pale with
apprehension, Tryon sat as if petrified, until a
tall, side-whiskered mulatto came down the garden
walk to the front gate.
"Who's dead?" demanded Tryon hoarsely,
scarcely recognizing his own voice.
"A young cullud 'oman, sah," answered
Homer Pettifoot, touching his hat, "Mis' Molly
Walden's daughter Rena."
Source: Wikisource

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XXXIII (1900)

Frank drove all day and all night, stopping only
for brief periods of rest and refreshment. At
dawn, from the top of the long white hill, he
sighted the river bridge below. At sunrise he
rapped at Mis' Molly's door.
Upon rising at dawn, Tryon's first step, after
a hasty breakfast, was to turn back toward Clinton.
He had wasted half a day in following the
false scent on the Lillington road. It seemed,
after reflection, unlikely that a woman seriously
ill should have been able to walk any considerable
distance before her strength gave out.
Source: Wikisource

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