Clark Ashton Smith

Clark Ashton Smith

Summary

Portrait of Clark Ashton Smith Clark Ashton Smith Mother of Toads (1938)

They rose up by scores like a devil-driven legion. It seemed that there was a malignance, an evil purpose in their movements, in the buffeting of their violent impact. He could make no progress on the swarming path, but lurched to and fro, slipping blindly, and shielding his face with lifted hands. He felt an eery consternation, an eldritch horror. It was as if the nightmare of his awakening in the witch's hut had somehow returned upon him.
The toads came always from the direction of Les Hiboux, as if to drive him back toward Mère Antoinette's dwelling.
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith Mother of Toads (1938)

Then, from that mist-bound shore, there fell and broke upon him a second deluge of these demoniac toads; and Pierre was borne helplessly backward into the filthy waters.
Held down by the piling and crawling masses, and drowning in nauseous darkness at the thick-oozed bottom, he clawed feebly at his assailants. For a moment, ere oblivion came, his fingers found among them the outlines of a monstrous form that was somehow toad-like . . . but large and heavy as a fat woman.
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith Mother of Toads (1938)

Pierre Daudin, as usual, gave no answer but turned his eyes from Mère Antoinette with an air of impatience. Her voice, raucously coaxing, persisted:
"Stay awhile tonight, my pretty orphan. No one will miss you in the village. And your master will not mind."
Pierre tossed his head with the disdain of a young Adonis. The witch was more than twice his age, and her charms were too uncouth and unsavory to tempt him for an instant. She was repellently fat and lumpish, and her skin possessed an unwholesome pallor.
Source: Wikisource

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