Clark Ashton Smith

Clark Ashton Smith

Summary

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Ninth Skeleton (1928)

“ Now I knew the origin of the bizarre footprints whose attenuation had disturbed and troubled me.
When the eighth skeleton had passed from sight, my eyes were drawn as by scene irresistible impulsion to one of the nearer headstones, beside which I was amazed to perceive what I had not noticed before: a freshly opened grave, gaping darkly in the soft soil. Then, at my elbow, I heard a low rattling, and the fingers of a fleshless hand plucked lightly at my sleeve. A skeleton was beside me, differing only from the others through the fact that it bore no infant in its arms.
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Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Ninth Skeleton (1928)

“ A horror that was more than horror, a fear that was beyond fear, petrified all my faculties, and I felt as if I were weighted down by some ineluctable and insupportable burden of nightmare, Before me, skeleton after skeleton, each precisely like the last, with the same macabre lightness and ease of motion, each carrying its pitiful infant, emerged from the shadow of the ancient pines and followed where the first had disappeared, intent as on the same cryptic errand. ”
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Ninth Skeleton (1928)

“ The Ridge is a long and rambling moraine, heavily strewn in places with boulders, as its name implies, and with many outcroppings of black volcanic stone. Fruit-ranches cling to some of its slopes, but scarcely any of the top is under cultivation, and much of the soil, indeed, is too thin and stony. to be arable. With its twisted pines, often as fantastic in form as the cypresses of the California coast, and its gnarled and stunted oaks, the landscape has a wild and quaint beauty, with more than a hint of the Japanesque in places. ”
Source: Wikisource

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