Summary

Portrait of E. F. Benson E. F. Benson,  Visible and Invisible — The Horror-Horn (1923)

“ Sliding and slipping, with the toes of my skis tripping in the obstacles below the snow, I plunged forward down the hill between the pine-trunks. The low sun already sinking behind some rampart of mountain in the west reddened the snow and the pines with its ultimate rays. My knapsack with the skates in it swung to and fro on my back, one ski-stick had already been twitched out of my hand by a fallen branch of pine, but not a second's pause could I allow myself to recover it. ”
Source: Wikisource

Portrait of E. F. Benson E. F. Benson,  Visible and Invisible — The Horror-Horn (1923)

“ He pointed straight out of the window, where across the valley lies the huge tower of the Ungeheuerhorn with the carved pinnacle of rock at the top like some gigantic rhinoceros-horn. On one side only, as I knew, was the mountain practicable, and that for none but the finest climbers; on the other three a succession of ledges and precipices rendered it unscalable. Two thousand feet of sheer rock form the tower; below are five hundred feet of fallen boulders, up to the edge of which grow dense woods of larch and pine. ”
Source: Wikisource

Portrait of E. F. Benson E. F. Benson,  Visible and Invisible — The Horror-Horn (1923)

“ In form it was completely human, but the growth of hair that covered limbs and trunk alike almost completely hid the sun-tanned skin beneath. But its face, save for the down on its cheeks and chin, was hairless, and I looked on a countenance the sensual and malevolent bestiality of which froze me with horror. Had the creature been an animal, one would have felt scarcely a shudder at the gross animalism of it; the horror lay in the fact that it was a man. ”
Source: Wikisource

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