Summary

Portrait of Crona Temple Crona Temple The Glorious Return: A Story of the Vaudois in 1689

O child, thou hast lost much, and even yet more may be asked of thee—home and dear ones are gone; food, raiment, life itself may be wrenched away—but, Rénée, do not give up thy faith!—thy faith in the rest that remaineth for the Vaudois—thy faith in thy Saviour, who loveth even thee and me!’
The girl was weeping. Not the burning tears of a passionate despair, but the blessed drops that ease the heart from whence they flow. Into her soul there came some faint fair imagining of the meaning of it all—this trial and torture, this desolation and weariness of waiting.
Source: Gutenberg

Portrait of Crona Temple Crona Temple The Glorious Return: A Story of the Vaudois in 1689

The home at Rora was a heap of ashes; the peaceful days when Rénée drove the goats down the hill in the shadowy afternoon, or sat busily spinning the flax at Madeleine’s knee, were gone for ever. There had been troubles then, of course, but troubles so tiny that now in comparison they seemed to be positive pleasures.
Henri Botta, the house-master, was a hard-featured man, whose rare words were sometimes wont to be hard; he looked on the world as a vale of sighing, a place where evil reigned, and no man should desire to be happy.
Source: Gutenberg

Portrait of Crona Temple Crona Temple The Glorious Return: A Story of the Vaudois in 1689

Night had fallen on the Valley of Luserna.
Behind the ivy-sprays and the clinging rock plants there was a path on the face of the cliff widening as it rose, until—some fifty feet above the stream—it spread into a platform or tiny amphitheatre completely hidden from any prying eye that might search the cliff from below.
From above one might perhaps peer into its recesses; but then no living thing ever did look from above, save the falcons and the ravens, or perhaps a wild goat, tempted by the tufts of mountain flowers which bloomed against the edges of the snow.
Source: Gutenberg

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