Summary

Portrait of Darrell Figgis Darrell Figgis,  The Gaelic State in the Past & Future…

“ The course of the nineteenth century in Ireland is like a resurrection from the dead. It is full of memories—memories prior to 1603 and the destruction of the Irish State. The very order is significant. The Nation had lost certain things in a certain order; in its resurrection it set about to regain them in the inverse order. It had lost, first, its State; then its language and culture, the flowers of that State, had been penalised; then its land, on which the State had been based, was taken; and finally its liberty of faith. It won back, first, its liberty to faith; then its land ”
Source: Wikisource

Portrait of Darrell Figgis Darrell Figgis,  The Gaelic State in the Past & Future…

“ Were the enthusiasm of the Gaelic League that is to say, the national enthusiasm linked to the economic life of such communities, were Irish music, Irish dance, Irish history and Irish tale-telling provided in its halls, of a winter's evening, the flowing together of both streams would make these communities, not only stateships, but centres of national life as they were in the days of old. They would maintain their own musicians and their own historians and professors, would vie with one another in their excellence and exchange them with one another. ”
Source: Wikisource

Portrait of Darrell Figgis Darrell Figgis,  The Gaelic State in the Past & Future…

“ The century was continually shaken by a series of revolutions, the pulsations of its reawakening life, each of which struck its roots down deeper into the past, and brought forth memories like blossoms that became completer and more perfect with the years. After the broken attempt for freedom in 1848 a new impetus was given to the cultural movement that had begun with the Young Irelanders, but this now took the form of a search into the forgotten manuscripts in the Irish language, in which the elder culture was stored. ”
Source: Wikisource

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