Dorothy L. Sayers

Dorothy L. Sayers

Summary

Portrait of Dorothy L. Sayers Dorothy L. Sayers Whose Body? — Chapter XI (1923)

You know quite well that the strain you put on your nerves during the war has left its mark on you. It has left what I may call old wounds in your brain. Sensations received by your nerve-endings sent messages to your brain, and produced minute physical changes there—changes we are only beginning to be able to detect, even with our most delicate instruments. These changes in their turn set up sensations; or I should say, more accurately, that sensations are the names we give to these changes of tissue when we perceive them: we call them horror, fear, sense of responsibility and so on.
Source: Wikisource

Portrait of Dorothy L. Sayers Dorothy L. Sayers Whose Body? — Chapter XI (1923)

When lovers embrace, there seems no sound in the world but their own breathing. So the two men breathed face to face.
"As you like, of course, Lord Peter," said Sir Julian, courteously.
"Afraid I'm rather a silly ass," said Lord Peter, "but I never could abide these little gadgets. I had one once that went wrong and gave me a rotten bad time. They make me a bit nervous."
"In that case," replied Sir Julian, "it would certainly be better not to have the injection. It might rouse up just those sensations which we are desirous of avoiding.
Source: Wikisource

Portrait of Dorothy L. Sayers Dorothy L. Sayers Whose Body? — Chapter XI (1923)

I mean, that if you get nerve-sensations of any kind producing the reactions which we call horror, fear, and sense of responsibility, they may go on to make disturbance right along the old channel, and produce in their turn physical changes which you will call by the names you were accustomed to associate with them—dread of German mines, responsibility for the lives of your men, strained attention and the inability to distinguish small sounds through the overpowering noise of guns.
Source: Wikisource

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