E. Hoffman Price

Summary

E. Hoffman Price The girl from Samarcand (1929)

That very night, Clarke was sitting cross-legged on the floor of his studio, full under the red glow of a tall bronze mosque lamp. Before him, shimmering in the moonlight that streamed in through the French windows, lay the rug from Samarcand, mysterious and golden, with its pale sapphire corner pieces glittering like a distant sea viewed through a cleft between two mountain crests.
All the witchery and ecstasy that had ever been lost in the entire world were reassembled, pulsing in the silken pile which he contemplated. And this was the night
Source: Gutenberg

E. Hoffman Price The girl from Samarcand (1929)

Look upon wine as often as you wish, but beware of a Bokhara when it is red—red as the blood of slaughter—red as the embers of a plundered city—a redness charged with the quartered octagons of Turkestan—for in the end you will become enslaved to the silky splendor that once graced the tent floor of a Tekke prince....
Diane was right; though Diane never suspected, even dimly, what in the end really did happen to Hammersmith Clarke. For, naturally enough, neither she nor anyone else saw or heard the Yellow Girl; that is, no one but Clarke: and he saw and heard too much.
Source: Gutenberg

E. Hoffman Price The girl from Samarcand (1929)

Though strangest of all, time has not touched you, when by all reason you should be old, and leathery, and past forty.... Yet you are lovelier now than you were then, by that fountain in a garden near Samarcand."
"You are lovelier now than you were then, by that fountain in a garden near Samarcand."
"It is not strange," contradicted the Yellow Girl, as she pirouetted with dainty feet across the moon-lapped silk. "For you see me now as I was when I wove my soul into this very rug."
Source: Gutenberg

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