E. W. Hornung

E. W. Hornung

Summary

Portrait of E. W. Hornung E. W. Hornung The Second Murderer (1914)

An audacious study in Venetian red—a tripping fashion-plate with a practical waist—it was only Vera by virtue of the radiant face between the donkey-eared toque and the modish modicum of fur. And though the radiance was lovely as ever in his eyes, and lovelier still as a surprise, this frivolous modernity was pain and puzzledom to Dollar until their hands met and the one in the tight glove trembled.
“It is no use beating about the bush,” said Vera Moyle, and there was no sort of tremor in her voice. “Do you mind telling me exactly what you know of a Mr. Mostyn Scarth?”
Source: Wikisource

Portrait of E. W. Hornung E. W. Hornung The Second Murderer (1914)

What beat him was that the Crime Doctor, of all people, with all his uncanny knowledge of the subject—that even he was able to view the worst of crimes in a light which would never have dawned on the independent intellect of Alfred Croucher. It was horrible, to his mind, that one who ran every risk of being murdered should sit there gloating over “the shades of merit” in one murder, and over others as “the sublimest and most entire in their excellence that ever were committed.”
Source: Wikisource

Portrait of E. W. Hornung E. W. Hornung The Second Murderer (1914)

I always find myself on the inside,” said Dollar, with extraordinary gusto. “I’d much rather have been the girl. She had the open street behind her, and the street lamps; he had only his own handiwork in the dark, and hardly room enough to step out of the way of it. She got away, too, whereas he had to make away with himself. But I always would rather be the victim. He doesn’t know what’s coming, and it’s not a thousandth part as bad as the other thing when it does come. I'm sorry, Croucher!
Source: Wikisource

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