Summary

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

Yet differently we grew—I ill of health, and buried in gloom—she agile, graceful, and overflowing with energy; hers the ramble on the hill-side—mine the studies of the cloister—I living within my own heart, and addicted body and soul to the most intense and painful meditation—she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice!—I call upon her name—Berenice!—and from the grey ruins of memory a thousand tumultuous recollections are startled at the sound!
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

In the strange anomaly of my existence, feelings with me had never been of the heart, and my passions always were of the mind. Through the grey of the early morning—among the trellised shadows of the forest at noonday—and in the silence of my library at night, she had flitted by my eyes, and I had seen her—not as the living and breathing Berenice, but as the Berenice of a dream—not as a being of the earth, earthy, but as the abstraction of such a being—not as a thing to admire, but to analyse—not as an object of love, but as the theme of the most abstruse although desultory speculation.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

Disease—a fatal disease—fell like the simoom upon her frame, and, even while I gazed upon her, the spirit of change swept over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim—where was she? I knew her not—or knew her no longer as Berenice.
Source: Wikisource

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