Edgar Allan Poe

Edgar Allan Poe

The Sphinx (1846)

Summary

Portrait of Edgar Allan Poe Edgar Allan Poe,  The Sphinx (1846)

“ Extending forward, parallel with the proboscis, and on each side of it, was a gigantic staff, thirty or forty feet in length, formed seemingly of pure crystal and in shape a perfect prism—it reflected in the most gorgeous manner the rays of the declining sun. The trunk was fashioned like a wedge with the apex to the earth. From it there were outspread two pairs of wings—each wing nearly one hundred yards in length—one pair being placed above the other, and all thickly covered with metal scales; each scale apparently some ten or twelve feet in diameter. ”
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe,  The Sphinx (1846)

“ While I regarded the terrific animal, and more especially the appearance on its breast, with a feeling of horror and awe—with a sentiment of forthcoming evil, which I found it impossible to quell by any effort of the reason, I perceived the huge jaws at the extremity of the proboscis suddenly expand themselves, and from them there proceeded a sound so loud and so expressive of woe, that it struck upon my nerves like a knell and as the monster disappeared at the foot of the hill, I fell at once, fainting, to the floor. ”
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe,  The Sphinx (1846)

“ I remember his insisting very especially (among other things) upon the idea that the principle source of error in all human investigations lay in the liability of the understanding to under-rate or to over-value the importance of an object, through mere mis-admeasurement of its propinquity. "To estimate properly, for example," he said, "the influence to be exercised on mankind at large by the thorough diffusion of Democracy, the distance of the epoch at which such diffusion may possibly be accomplished should not fail to form an item in the estimate. ”
Source: Wikisource

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