Summary

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

You are doing a man’s work here and living a man’s life, and what you do here does count. Suppose you were making stoves, or selling automobiles or bonds, in the city. Would any such work count for more than all this—the wonderful swine and cattle and horses that you are raising? Your father has built a great business, and you are helping him to make it greater. Could you do anything in the city of which you could be half so proud? No, but in the city you might find a thousand things to do of which you might be terribly ashamed.
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

As she listened she watched the man’s face, earnest and intelligent, and mentally she could not but compare him and his conversation with the men she had known in the city, and their conversation. They had talked to her as if she was a mental cipher, incapable of understanding or appreciating anything worth while—small talk, that subverter of the ancient art of conversation. In a brief half hour Custer Pennington had taught her things that would help to make the world a little more interesting and a little more beautiful
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

Here He’s gone to a lot of trouble to fit up the whole world as a beauty parlor, and what do women do? They go and find some stuffy little shop poked away where the sun never reaches it, and pay some other woman, who knows nothing about art, to paint a mean imitation of a complexion on their poor skins. They wouldn’t think of hanging a chromo in their living rooms; but they wear one on their faces, when the greatest Artist of them all is ready and willing to paint a masterpiece there for nothing!”
“What a dapper little thought!” exclaimed Eva. “Popsy should have been a poet.”
Source: Wikisource

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